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»All you can see«

© http://michaelkargl.com/portfolio_KARGL.pdf

Keywords

  • aesthetics
    • acoustic
    • affective
    • anamorphic
    • animated
    • anthropomorph
    • assembled
    • automated
    • autopoietic
    • collaborative
    • contextual
    • cybernetic
    • disgusting
    • documenting
    • duplicated
    • dynamic system
    • ephemeral
    • experimental
    • found object
    • generative
    • gustatory
    • hypermediacy
    • illusionary
    • immaterial
    • immersive
    • installation-based
    • interactive
    • intermedial
    • intervention
    • mobile
    • modular
    • multi-user
    • multiple
    • narrative
    • navigable
    • networked
    • olfactory
    • panoramatic
    • performative
    • polysensory
    • processual
    • projected
    • real-time
    • remediated
    • remixed
    • sculptural
    • site-specific
    • sonification
    • sublime
    • tactile
    • telematic
    • three-dimensional
    • time-based
    • uncanny
    • virtual
    • visual
  • genre
    • Bio Art
      • Genetic Art
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    • Database Art
    • Digital Activism
    • Digital Animation
    • Digital Community (Social Network)
    • Digital Graphics
    • Game Art
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    • installation
      • interactive installation
      • performative installation
      • sound installation
      • Virtual Reality
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    • Performance
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    • robotics
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        • BOOM (Binocular Omni-Orientation Monitor)
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        • laser
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        • easel painting
        • globe
        • house wall
        • inflatable structure
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        • paper
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      • computer mouse
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      • plotter
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    • interface
      • Automatic Identification and Data Capture (AIDC)
      • biometrics
      • Body sensor
        • Body Tracking
        • brainwave sensor
        • breathing sensor
        • Breathing-Balance-Interface-Vest
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        • eye scanner
        • facial recognition system
        • Motion Capture
        • positiontracker
        • retina scanner
        • Speech Recognition
        • step sensor
      • camera recording
      • electromagnetism
      • interactive media
        • Auditory User Interface (AUI)
        • Augmented Reality Interfaces
        • breath based communication
        • Internet of Things (IoT)
        • Ludic Interface
        • MR-based (Mixed Reality) Interaction
        • Multi-Modal Interaction
        • tactile user interfaces
        • Tangible Acoustic Interface
        • Tangible User Interface (TUI)
        • Voice User interface
      • Non-electronic interface
        • bike
        • doll
        • furniture
        • plant
      • Soundgenerating device
        • Audiotape
        • keyboard
        • microphone
        • musical instrument
        • RFID (Radio-frequency Identification)
        • Speech Recognition
        • syntheziser
        • telephone
        • Theremin
        • turntable
        • voice analysis
        • Voice User Interface (VUI)
      • virtual balance
    • Software
      • C++
      • CGI/Perl
      • CSS
      • Global Positioning System (GPS)
      • ISDN
      • Java
      • Linux
      • Optical Character Recognition (OCR)
      • periscope
      • PHP
      • RFID (Radio-frequency Identification)
      • robotic interfaces
      • SGI Onyx2
      • softimage
      • software interface
      • Video
      • VRML
      • Wireless Sensor Network (WSN)
      • XML
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Information
Technology
Hardware
all you can see (2008)

title: all you can see
year: 2008
video on custom made computer
duration: 11185 min
Descriptions & Essays
With common video formats, almost 17 million different colours can theoretically be represented on the screen today. If these are shown all at once, a condensation in pure white is generated in the digital picture production. Translated into a timebased work the video all you can see (2008) shows all that is possible: Countless different colours are lined up linearly with a rate of 25 pictures per second in single frames and result in an 8dayslong changing process from black to white und thus from colourlessness to absolute condensation. The extension of the material, perceptible for the viewer as monochrome representation, references to the colour field painting of Abstract Expressionism. In this video production, the subject is dispended and colour is employed purely for its own sake. Theories that have been known for a long time from art history about the end of painting find their way into digital media. The method: restriction, reduction and concentration in the form of extension.
Literature
Sützl, Wolfgang and Geoff Cox, ed. DATA browser 04: Creating Insecurity. Data Browser 04, New York: Autonomedia, 2009.
Lentczner, Mark, ed. Community of Variation. Selections from the Context Free Art Gallery, 2005-2007. Mountain View, CA: Lentczner, Mark, 2008.
Hochrieser, Sabine and Franz Thalmair and Cont3xt.Net and Michael Kargl, ed. Curating Media/Net/Art: Circulating Contexts. Norderstedt: Books on Demand, 2007.
Kargl, Michael and Carlos Katastrofsky. Arbeiten 2004-2006: Works 2004-2006. Norderstedt: Books on Demand, 2007.