27 Jan: Goethe-Institut Second Life "Perceptive Dislocations" performative event »
"Perceptive Dislocations" A performative event in Goethe Institut/Second Life By Tamiko ...
SIGGRAPH 2012 Call for Submissions 39th International Conference and Exhibition on Computer Graphics and Interactive Techniques, 5‑9 August 2012 in Los Angeles »
SIGGRAPH 2012 Call for Submissions I am Art I am Science Who are you? Whether you ...
Interact with ACCESS now at Z33 - House for contemporary art in Hasselt, Belgium »
INTERACT ONLINE WITH ACCESS NOW ! Open hours: 8:00 am - 8:00 pm (GMT +1) every day ...
© Masaki Fujihata
Masaki Fujihata
»Morel´s Panorama «
2003
Knowbotic Research
»Passion5 «
The intervention of Knowbotic Research includes several, sometimes contradictory levels. On the one hand, it reflects political culture in the early 21st Century, pointing to its limits. mutate to a worker moving recorded chants to mere sound that is ...
Rafael Lozano-Hemmer
»Pulse Room«
Pulse Room is an interactive installation featuring one to three hundred clear incandescent light bulbs, 300 W each and hung from a cable at a height of three metres. The bulbs are uniformly distributed over the exhibition room, filling it ...
Thomson & Craighead
»Horizon«
Horizon is a narrative clock made out of images accessed in realtime from webcams found in every time zone around the world. The result is a constantly updating array of images that read like a series of movie storyboards, but also as an idiosynratic ...
Michael Naimark
» Aspen Moviemap «
The first interactive moviemap was produced at MIT in the late 1970s of Aspen, Colorado. A gyroscopic stabilizer with 16mm stop-frame cameras was mounted on top of a camera car and a fifth wheel with an encoder triggered the cameras every 10 feet. ...
Adrian Cuervo
»la huella«
la huella, 2010 iMac, Quartz Composer, microphone, projector, 200 x 150 cm La huella is a generative work that evolves in a loop of creation, adaptation and destruction. It is a reflection on survival and evolution in nature, a neverending ...
Carlos Katastrofsky
»All you can see«
With common video formats, almost 17 million different colours can theoretically be represented on the screen today. If these are shown all at once, a condensation in pure white is generated in the digital picture production. Translated into a ...
